Aurélie Franck

CALENDAR

12-17.10.21

KlangForum Heidelberg
Josquin Desprez & Sebastian Claren (Uraufnahme)
Recording only

29.10.21, 20 UHR

“ZWEIG UND ESELIN” (Bojan Vuletic)

Tonhalle Düsseldorf, MENDELSSOHN-SAAL

https://www.tonhalle.de/reihen/reihe/Sternstunden/Zweig-und-Eselin/

Do 02.12.2021 — 16:00 UHR

duoW PLUS Aurélie Franck, Mezzosopran

Do, 06. Jan 2022, 20.00 Uhr

Berliner Philharmoniker
Daniel Barenboim, Dirigent
Giuseppe Verdi, Quattro pezzi sacri

19-21.01.21

KlangForum Heidelberg
Hörfunk-Oper für 8 Stimmen (Sven Daigger)
Recording only in Baden-Baden

04.03.2022, STIFTSKIRCHE STUTTGART

05.03 2022, STIFTSKIRCHE TÜBINGEN

06.03.2022, CHRISTUSKIRCHE BOCHUM

10.03.2022, STADTKIRCHE DARMSTADT

11.03.2022, IMMANUELSKIRCHE WUPPERTAL

12.03.2022, SALVATORKIRCHE DUISBURG

13.03.2022, KREUZESKIRCHE ESSEN

18.03.2022, MAX-REGER-HALLE, WEIDEN/OBERPFALZ

19.03.2022, KONZERTHAUS BLAIBACH

Max Reger (1873-1916)

Geistliche Gesänge op. 110 Nr. 1-3 (Motetten) für Chor a cappella

Anton Bruckner (1824-1896)

Motetten (Os justi, Locus iste, Ave Maria, Christus factus est) für Chor a cappella

ChorWerk Ruhr

1.04.22

KlangForum Heidelberg
Kantate BWV103 “Ihr werdet weinen und heulen”
Uraufführung (Lisa Streich)
Festival Heidelberger Frühling

18-24.04.22

KlangForum Heidelberg
Josquin Desprez & Johannes Ockeghem

20 (20 UHR), 22 (11 UHR) & 23.05.22 (20 UHR)

ORFEO ED EURIDICE (J. Haydn)
Tonhalle Düsseldorf, MENDELSSOHN-SAAL
ADAM FISCHER, Dirigent
ChorWerk Ruhr

https://www.tonhalle.de/reihen/reihe/Sternzeichen1/Orfeo-ed-Euridice/

12 & 13.11.22

KlangForum Heidelberg
La Luna (Michael Pelzel)
Uraufführung (Hannah Eimermacher)

16, 17 & 18.12.22

KlangForum Heidelberg
Weihnachstkonzerte

Masterclass Calixto Bieito
Copyright Simon Hertling

A NEW WAY OF SINGING

“KLARHEIT UND NATÜRLICHE SCHÖNHEIT DER STIMME, OHNE VORDERGRÜNDIGES OPERNSOUND”

Penelope, Odysseus, Lautten Compagney & Taschenoper Lübeck

Honestly, I have no idea where it comes from… My family is 100% made of non-musicians. I came home one day claiming to my parents that I wanted to learn piano. Did I hear something on the playground? Well, I have a vague souvenir of a little girl singing a scale and I guess it hypnotized me. I wanted to learn music! An that’s how I have been playing piano 10 years long before I even thought about singing. But piano was hard for me, it was so much work for so little result!! I had to find MY instrument. Singing came much more naturally : I had the musical background and finally I was able to express myself in a way that piano didn’t allow me to.

And from that moment on, I’ve never been able to do anything else of my life.

Some call it passion. Others call it a necessity. I call it obstinacy.

Because, believe me, in this job you will need it. A lot of it.